Professional Practice

Presentation about Jobs roles within TV

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Radio Producer

Responsibilities

• Researching the latest topics and planning ideas for shows
• Developing content and shows to make them more entertaining for the audience/listeners
• Selecting music which will planned live on air. Making sure that it is a variety of music
• Sourcing and making appointments for interviewees to come onto the show
• Managing the shows and making sure that it runs smoothly
• Ensuring that Health and Safety produces are in place

Qualifications Needed

This job is open to all graduates but a degree would get you there faster. A postgrad, Diploma or masters will be helpful to get you into this role. Most of radio producer do have master or diplomas in Radio.

Skills Needed 

• Excellent in writing and oral communication
• Ability to work as a team and independently
• Good organisation skills and management skills
• A real interest into the work you’re doing
• Ability to learn quickly and professionally
• Self-confidence of myself and others

 

TV Research On Two Job Roles

Camera Operator (http://creativeskillset.org/creative_industries/tv/job_roles/288_camera_assistant_studio_and_ob)

Camera Operator

To do this role, you will need to:

• have good colour vision, and good hand-to-eye co-ordination
• have a working knowledge of how the relevant camera equipment works
• have good communication skills and show diplomacy and sensitivity when working with artists, production staff and crew
• be able to take direction and work as part of a team
• be able to carry out instructions with great accuracy and attention to detail
• be able to work under pressure and in stressful situations
• be able to frame and compose shots after you’ve gained some experience
• have good IT skills
• possess physical stamina for working long hours and moving heavy equipment
• understand the requirements of the relevant health and safety legislation and procedures

What does a Camera Assistant (Studio and OB) do?

Camera Assistants (Studio/Outside Broadcast) offer general support to the Camera Operator in the Studio/Outside Broadcast (OB) camera department, carrying out simple tasks such as collecting equipment from stores and assisting with rigging (setting up) cameras and equipment.

They help to move cameras, bash (handle and store) cables and swing camera cranes. They may also be offered opportunities, under supervision, to operate cameras for simple shots. Programmes shot by multiple cameras are usually broadcast live or recorded ‘as live’, and a Camera Assistants work can be intensive, stressful and exhilarating.

By supporting senior members of the camera department, Camera Assistants undergo an important practical apprenticeship. Trainees provide general support to the camera department, while more senior Assistants carry out precise and complex technical tasks such as swinging camera cranes.

Hours may be long (12-14 hours a day) and the work can be physically exhausting. Some travel may be involved, involving periods spent away from base, which can be challenging to home and family life.

Will I need a qualification?

You won’t need a specific qualification to become a Camera Assistant. That said, it’ll benefit you to have a good grounding in mathematics and physics, and a thorough understanding of the principles of stills photography. Most Camera Assistants acquire their practical skills through hands-on experience on the job.

If, however, you are considering taking a TV production course in higher education, the following courses have been rigorously assessed by the TV industry and awarded the Creative Skillset Tick for the high standard of education they provide and the degree to which they prepare you for a TV career:

TV production courses awarded the Creative Skillset Tick

In addition, the Apprenticeship in Creative and Digital Media could allow you to gain camera skills on the job. Again, the Creative Skillset Tick has been awarded to some apprenticeship programmes that provide the meet the highest standard of industry-relevant training.

What’s the best route in?

Intensive industry experience is the best route into this role, having gained a grounding in the basic camera skills and knowledge required. You could begin your career as a Camera Assistant, and then work your way up through the ranks of the camera department over several years.

Producer (http://creativeskillset.org/creative_industries/tv/job_roles/295_executive_producer)

To do this role, you will need to:

• have creative flair and a commitment to quality programming
• possess strong financial acumen
• be able to assess projects for their marketability and potential audience appeal
• have practical knowledge of financial, legal and regulatory requirements
• be an exceptionally good networker and people manager
• be able to prioritise effectively across a number of projects, managing your time and resources according to each production’s requirements
• understand programme markets and worldwide audience dynamics
• understand the requirements of individual broadcasters’ audiences and in some cases, individual commissioners’ preferences
• have a working knowledge of languages other than English in order to develop worldwide partnerships and marketing opportunities
• have highly effective negotiating skills
• have excellent verbal and written communication skills
• have excellent presentation, pitching and marketing skills
• possess advanced analytical skills and pay precise attention to detail
• possess effective leadership and mentoring skills
• show diplomacy and sensitivity when dealing with partner organisations and colleagues
• be able to work under pressure calmly and effectively, and to tight deadlines
• have current knowledge of the relevant legislation, regulations, and associated procedures, including copyright, data protection, public liability, etc. and how to comply with regulatory requirements
• have knowledge of the requirements of the relevant health and safety legislation and procedures

What does an Executive Producer do?

Executive Producers are responsible for the overall quality control and success of TV productions, and for ensuring that final products conform to commissioners’ specifications.

They are part of the team who are responsible for selecting marketable projects and ensuring that every step is taken to guarantee success in the market. They lead the production of a range of television programmes, including dramas, serial dramas, documentaries and drama documentaries.

On serial dramas, and some entertainment programmes, experienced and well-known writers may also be credited as Executive Producers. On current affairs and news programming, the Executive Producer role is often combined with that of the programme editor. Executive Producers are usually experienced industry practitioners, who bring their particular, individual skills and talents to this demanding role.

Executive Producers’ roles vary depending on the genre, broadcaster or production. They must be able to identify commercial, marketable projects from a range of proposals. They may help to develop scripts. They are responsible for finding suitable markets for projects.

They may attend TV and film marketing festivals such as Cannes and MIP-TV International Film and Programme Market for Television. At these, they promote projects nationally and internationally and secure funding partnerships with potential sponsors or co-producers. The cost of a television production may be shared amongst a number of partner organisations who will all eventually broadcast the finished programmes. They ensure that a range of publicity and marketing materials are prepared in order to attract co-production partnerships and funding.

During production Executive Producers may act as a sounding board for Producers in the decision-making processes. They may be involved in some aspects of scripting, casting, and/or crewing.

They tend to work on a number of projects at the same time, each at different stages of production, and often across several different countries. They may view rushes and rough cuts of programmes, and usually have final approval of the edited materials.